July 31, 2026

Writing Fake Obituaries: Mourning the Absurd and the Inanimate

Write tributes that no one asked for in the Satirical News & Fake Headlines category — like SpinTaxi’s viral obit for “Chad, the Wi-Fi Router Who Died So We Could Zoom.”

How To Write Comedy

Introduction: In Loving, Confused Memory

Obituaries are supposed to honor lives. Satirical obituaries instead eulogize the awkward, the inanimate, and the occasionally sentient. At SpinTaxi.com, obits have been published for failed startups, expired coupons, and the last decent avocado in Cincinnati. It’s time to say goodbye… poorly.

Why Satirical Obituaries Work

They Combine Formality with Foolishness

There’s something inherently funny about treating the death of a spatula like the fall of a statesman.

They Let You Build Character from Closure

The best obits tell a story — even if it’s about a haunted recliner who died doing what it loved: refusing to close fully.

Step One: Pick Your “Deceased”

  • Object: Left sock, discontinued shampoo, GPS with trust issues
  • Concept: Your twenties, customer service, emotional availability
  • Personified Nonsense: Hope, weekends, your ex’s hairline

Write the Obituary

Headline:

“Rest in Peace, Gerald: The Office Plant Who Knew Too Much”

Opening Paragraph:

“Gerald, a ficus of unknown origin and unparalleled judgment, passed away Tuesday under suspiciously moist circumstances. He was 7 (pot years).”

Survived By:

  • Janet (a cactus with boundary issues)
  • The window blinds (who always resented him)
  • Several paperclips still traumatized by a 2019 pruning incident

Cause of Death:

“Alleged overwatering, though coworkers suspect corporate espionage.”

SpinTaxi Example

In “Obituary: Clippy, Microsoft’s Former Paperclip Advisor, Dies After Final Update,” SpinTaxi chronicled Clippy’s dramatic fall from assistant to existential artifact. The piece was banned from three LinkedIn accounts and nominated for zero awards.

Include Funeral Details

  • “Services will be held in Conference Room B, assuming no one booked it for improv team building.”
  • “Mourning attire should be casual, bitter, and potted.”
  • “Instead of flowers, please donate unresolved tension to your nearest middle manager.”

Common Pitfalls

  • Being too silly without sincerity: A good satirical obit reads like someone cared… just not quite enough.
  • Forgetting the format: Stick to obituary structure for maximum contrast.
  • Making it too long: Let the absurdity bloom, then die quickly — like Gerald.

Conclusion: Farewell, and Also Please Return Your Keycard

Fake obituaries let you say goodbye to objects, emotions, or ideals that never stood a chance. Treat them with respect, sprinkle in surreal backstory, and don’t forget: even expired yogurt deserves a dignified sendoff. Press F to pay ridiculous respects.

SOURCE: How To Write Comedy

How To Write ComedyWriting Fake Obituaries: Mourning the Absurd and the Inanimate

Savannah Steele

Savannah Steele is a razor-sharp investigative satirist and cultural critic, blending journalistic expertise with biting humor to expose the absurdities of modern society. With a background in political science and media analysis, she has spent years dissecting corporate influence, government policies, and social trends with a comedic edge. Her work has been featured in top-tier satire publications, where she masterfully intertwines fact and farce, forcing readers to question the narratives they consume. Savannah’s writing is known for its meticulous research, blending real-world evidence with over-the-top satire to create thought-provoking, laugh-out-loud commentary. Whether unraveling the complexities of food subsidies, dissecting media propaganda, or lampooning billion-dollar industries, she brings a unique voice that is equal parts intellectual and irreverent. Her work embodies the highest standards of Expertise, Experience, Authoritativeness, and Trustworthiness (EEAT), proving that humor can be just as powerful as hard news—sometimes, even more so. She is featured in the NYT best selling romance novel Love, Lies, and Late-Stage Capitalism

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